After intermission, the amazingly creative “On a Sufficient Condition for the Existence of Most Specific Hypothesis” by Ken Ueno was captivating. A natural blend of dissonance and glissandi, along with rough and sudden entrances of instruments, made a perfect parallel to Ueno’s singing... Most impressive was a cadenza-like throat singing passage, including a brilliant range of dynamics and wide intervals. I’ll listen for more Ueno in the future.

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