Ken Ueno's vocals are incredible. He goes from deep, booming growls to high pitched squeals, the kind that I would normally associate with a boiling kettle or Blixa Bargeld. Using circular breathing techniques Ueno keeps his vocals going continuously for large stretches of time (growling on the exhalation, squealing on the inhalation). As well as being physically impressive, it goes well with Whitney and Worster's rhythms and noise. Ueno is ever present but sometimes gets overwhelmed by the other two. It's not like he's just lost in the mix, he still colors the sound at these moments. On “Delillo” he is particularly remarkable, his rumbling snarls sound like something from Lovecraft calling from the abyss.

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